Advanced Guitar Lesson 39 of 40 [Sweep Picking]
Today, being In the last second session I want to share with
Continue readingAdvanced Guitar Lesson 39 of 40 [Sweep Picking]
Today, being In the last second session I want to share with
Continue readingAdvanced Guitar Lesson 39 of 40 [Sweep Picking]
Having learned quite a number of scales and theories, it is time now for you to start implementing them into action. Let’s play some music!
Having learned quite a lot of scales and theories, it is time now to start implementing them into action. Let’s play some music!
Tapping is an extended technique, executed by using either hand to 'tap' the strings against the fingerboard, thus producing legato notes. Tapping generally incorporates pull-offs or ...
Tapping is an extended technique, executed by using either hand to 'tap' the strings against the fingerboard, thus producing legato notes. Tapping generally incorporates
The word hybrid itself defines the meaning of the hybrid blues scale. The hybrid blues scale is about combining different scales to form one unique scale. There are a couple of scales combinations often used by artists to incorporate this method into their playing. In this chapter, we are going to look at three different ways on how to build a hybrid blues scale.
In today’s lesson, I want to talk about my approach to deriving and using Locrian mode. This chapter is the end of our series of modal study. However, we shall continue to study more topics related to modes.
Some of the ways which I think is necessary for all of you guys to learn are listed below.
1, To derive Locrian mode from the Major scale
2, To derive Locrian mode by using the 7th Master shape as a root
In today’s lesson, I want to talk about my approach to deriving and using Locrian mode. This chapter is the end of our series of modal study. However, we shall continue to study more topics related to modes.
Some of the ways which I think is necessary for all of you guys to learn are listed below.
1, To derive Locrian mode from the Major scale
2, To derive Locrian mode by using the 7th Master shape as a root
3, .... .. . . .
In today’s lesson, I want to talk about my approach to deriving and using Locrian mode. This chapter is the end of our series of modal study. However, we shall continue to study more topics related to modes.
Some of the ways which I think is necessary for all of you guys to learn are listed below.
1, To derive Locrian mode from the Major scale
2, To derive Locrian mode by using the 7th Master shape as a root
In this guitar lesson we are going to learn how to play Mixolydian mode using different types of methods...